
This is a paper I recently found in a box of random stuff from my past. I wrote it my freshman year of college for my English 1010 class. I was thinking about it this week when I was driving near Zion on the way to a family gathering.
A Drive Through Zion
September 3, 1999
The red, cinder-paved road reflects the heat of the summer sun, as it winds its way up the majestic canyon. The bright double yellow lines that the road wears discourage speeding up to pass the cars ahead of you. Pullouts along the road are filled-as usual-with visitors and tourists who have come to see the towering pink cliffs of Steamboat Mesa, the royal, Great White Throne, or the bright orange and "blood" stained Great Arch.


At the base of the Great Arch, a wide switchback begins the climb-halfway up the mountainside-to the tunnel. The road continues to twist and turn, up the hillside, into the small pine-scented juniper bushes and the occasional wide-leafed tree, whose leaves laugh in the breeze. As you round the last switchback-still creeping upard-you're met with an un-moving line of cars, waiting for their turn to enter the low, narrow tunnel. Near the place you stop, there is a trickle of water that seeps from the smooth red sandstone, bringing relief from the dry desert to the mosses and wild flowers. Soon the bus, motor home, or other large vehicle passes through the tunnel, and the line of cars moves forward when signaled by the ranger who is on duty.
Inside the tunnel, there is shelter from the blazing sun. The air is cool and dark. Often, car horns can be heard echoing and re-echoing off the walls of the tunnel-along with the occasional holler from a would-be-yodeler. Up ahead there is a splash of light from one of the windows that peak out of the vertical face of the cliff. They make beautiful frames for the picturesque view of the canyon walls. Cement borders block the pullouts by the windows now. Stopping is prohibited, but you can slow down to see the painted, sun-lit world outside.

On the other side of the tunnel, the air is noticeably cooler, and the breeze coming through the rolled down window is fresh and relaxing. The scene here has changed from solid vertical cliffs to the almost liquid, rolling hills. The orange sandstone seems to flow down the hills like waves that have been frozen in time. To the right, is a small, sandy-bottomed canyon formed by flash floods. After a rain storm, a rivulet of water can be seen trickling through the white sand. Further to the right are more flowing hills. Dark reddish-brown stains show where the water has been.

Often the hills are cheked with cracks. Sometimes plants will grow in the cracks; their gnarled roots spread across the sandstone. None of the cracks are so neatly patterned as those in the white walls of Checkerboard Mesa. The even squares rise above its surroundings-standing proudly-like the white king of a chess set.

As you near the exit of Zion, the red rocks become more hidden by the always green juniper bushes. A dark brown sign, suspended from a rock pillar, proclames, "Leaving Zion National Park" in clean, white, capitol letters.
Teacher's notes:
Kara, you have an excellent foundation of writing. Your skill level is what entering College Freshmen should be. Perhaps now you can work on refining your style. For example, you can concentrate on improving verbs, etc
"A"
I have to say that I'd do this a little differently now than I did then. I don't think I'd use "you" for one thing. As I was re-typing it, I was really tempted to add to and change it, but I tried to leave it as it was originally writen. It was fun to find and read again, and I hope you enjoyed it! Sorry if it was a little long!
Note: None of the pictures are mine. Unfortunately, I don't have digital copies of any Zion pictures, and the ones I have didn't fit with the essay. So, these are all pulled from various internet sites.